[이미지를 누르면 해당 기사로 이동됩니다]
" He has spent the years since trying to keep the visual language of Hollywood
and Japan's Studio Ghibli from creeping into his own work,
studying how Koreans move and how Korean landscapes look so
he could build something that was recognizably his country's own. "
“The poverty and isolation in the Korean landscape
of the original have already shown up plenty in live-action films,
so I didn't think animation needed to repeat that.
I wondered what would happen if I took Paris
— a place many people travel to in order to forget the sorrows of real life
— and did the opposite, folding those sorrows back into it.”
“Animation is a field that takes a long accumulation
of time and experience,” Ahn said.
“We still have a long way to go,
but I believe the path we're on will become part of the history of Korean animation.”
- 출처 ‘Gill’ director Ahn Jae-huun on building a Korean animation identity 중 발췌 -
" He has spent the years since trying to keep the visual language of Hollywood
and Japan's Studio Ghibli from creeping into his own work,
studying how Koreans move and how Korean landscapes look so
he could build something that was recognizably his country's own. "
“The poverty and isolation in the Korean landscape
of the original have already shown up plenty in live-action films,
so I didn't think animation needed to repeat that.
I wondered what would happen if I took Paris
— a place many people travel to in order to forget the sorrows of real life
— and did the opposite, folding those sorrows back into it.”
“Animation is a field that takes a long accumulation
of time and experience,” Ahn said.
“We still have a long way to go,
but I believe the path we're on will become part of the history of Korean animation.”
- 출처 ‘Gill’ director Ahn Jae-huun on building a Korean animation identity 중 발췌 -